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Zina Gomez-Liss's avatar

“ he does not simply speak, he ‘unlocked his word-hoard’” —great highlighting of this phrase. A novel term, but one that appeals to this poet.

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Connor Lewis's avatar

This is beautiful work. Although the considerations of your post are intriguing (on multiple levels) throughout, you make two claims that I found especially thought-provoking: (1) that the progression of the poem relies, initially, upon Beowulf's capacity for tactful persuasion, and (2) that Beowulf exhibits power, even heroism in not only battle but also speech. Certainly, there is a conversation to be had about these elements and their symmetry with the oral pedigree of the larger poem. However, disregarding such parallels for a moment, I think your post lends considerable weight to an often overshadowed but absolutely essential component of Beowulf (the poem): its rhetoric. In keeping with the idea that Beowulf serves (in part, at least) an edifying, theologically rooted purpose, the poet must appeal to rhetoric in the same way that Beowulf must on the Danish beach. To echo your words—if the poet had not employed such rhetoric (both monologic and dialogic) there would be no edification.

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